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	<title>Mathilde Renault</title>
	<link>https://mathilde-renault.com</link>
	<description>Mathilde Renault</description>
	<pubDate>Thu, 30 Dec 2021 21:00:27 +0000</pubDate>
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		<title>Works</title>
				
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		<pubDate>Thu, 30 Dec 2021 21:00:27 +0000</pubDate>

		<dc:creator>Mathilde Renault</dc:creator>

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	2026/
	
	



	In the Crust &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
of my FeelingsThe interactive installation approaches the human body and natural environments as co-dysregulated ecosystems, operating beyond sustainable thresholds of regulation. Rather than proposing connection, harmony, or repair, it situates both body and landscape within shared conditions of saturation, exhaustion, and delayed collapse. What is staged here is not crisis as an event,but instability as a condition. &#38;nbsp;
 Dokzaal Amsterdam / CBK Zuidoost.


	 &#38;nbsp; &#38;nbsp; → Team

&#38;nbsp; &#38;nbsp; Pedro Matias - Production, direction, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
ceramics, filming, editing&#38;nbsp; &#38;nbsp; Mathilde Renault - Filming, editing &#38;nbsp; &#38;nbsp; Tatiana Rosa - Trans-media interaction, &#38;nbsp; &#38;nbsp; 
sound composition&#38;nbsp; &#38;nbsp; Mauricio v.d. Maesen - electronic specialist&#38;nbsp; &#38;nbsp; 
Paula Garcia Sans - 3D animation &#38;nbsp; &#38;nbsp; 
Rita Fialho - Campaign design


	
	
	

	
	
	

	&#60;img width="602" height="1080" width_o="602" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2e7b8151d77f96ce8d03d72b4adc4f43998471bc7165eb6ada8636ebcf47403d/Still-2026-06-16-162143_1.1.png" data-mid="249541592" border="0"  src="https://freight.cargo.site/w/602/i/2e7b8151d77f96ce8d03d72b4adc4f43998471bc7165eb6ada8636ebcf47403d/Still-2026-06-16-162143_1.1.png" /&#62;
	&#60;img width="599" height="1080" width_o="599" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c042c0ebe199d9cbe1cdb590b0794c71341519306d6c4261fbe34cbb59709610/Still-2026-06-16-162538_1.2.png" data-mid="249541354" border="0"  src="https://freight.cargo.site/w/599/i/c042c0ebe199d9cbe1cdb590b0794c71341519306d6c4261fbe34cbb59709610/Still-2026-06-16-162538_1.2.png" /&#62;
	&#60;img width="605" height="1080" width_o="605" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c838559626f06b744c107f4e4ed9f3febd3a700ec1ee034659d08aaf50ce00b5/Still-2026-06-16-164553_1.4.png" data-mid="249541595" border="0"  src="https://freight.cargo.site/w/605/i/c838559626f06b744c107f4e4ed9f3febd3a700ec1ee034659d08aaf50ce00b5/Still-2026-06-16-164553_1.4.png" /&#62;

	
	
	


	
	
	


	2024/
	
	
	Dépaysement



 Dépaysement is part of broader research on trans* material landscapes, exploring softer and more vulnerable environments where human and more-than-human worlds intertwine. The work draws parallels between labouring bodies, coral reefs at risk from bleaching, systemic anxiety, and pandemic-era touch deprivation. The multimedia installation combines visual, sonic, material, and textual elements to reflect on environmental anxiety and conditions of uncertainty.
 W139, The Spell of the Sensuous, Sonic Acts Biennial.

	

	
	 &#38;nbsp; → Team

&#38;nbsp; &#38;nbsp; Pedro Matias - Concept, direction, &#38;nbsp; &#38;nbsp; 
cinematography, editing&#38;nbsp; &#38;nbsp; Mathilde Renault - Production,
scenography&#38;nbsp; &#38;nbsp; Tatiana Rosa - Trans-media translation, &#38;nbsp; &#38;nbsp; 
sound composition&#38;nbsp; &#38;nbsp; Paula Garcia Sans - 3D animation

	
	&#60;img width="1534" height="1024" width_o="1534" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c6dac1f51c9bb662ef5ce529cdefdbaad33b92fac70b9074bb10ef7def897ddd/W724_3084035-W139-Exhibition-Opening-1536x1024.jpg" data-mid="249541432" border="0"  src="https://freight.cargo.site/w/1000/i/c6dac1f51c9bb662ef5ce529cdefdbaad33b92fac70b9074bb10ef7def897ddd/W724_3084035-W139-Exhibition-Opening-1536x1024.jpg" /&#62;
&#60;img width="1536" height="1020" width_o="1536" height_o="1020" data-src="https://freight.cargo.site/t/original/i/7e98a6e041b0237417a5a9d020abcdde826d5ef31ecd98eff5b402d26b6b59cd/W724_3083323-W139-Exhibition-Opening-1536x1020.jpeg" data-mid="249539146" border="0"  src="https://freight.cargo.site/w/1000/i/7e98a6e041b0237417a5a9d020abcdde826d5ef31ecd98eff5b402d26b6b59cd/W724_3083323-W139-Exhibition-Opening-1536x1020.jpeg" /&#62;

	





	
	2025/
	
	Seeing Quintuple
Seeing Quintuple is a multidisciplinary installation inspired by gravitational lensing, a phenomenon where light bends around massive celestial objects. The project mirrors this phenomenon by giving rise to five distinct collaborations, each linked to a different medium: text, sign language, sculpture, virtual reality, and installation. Stars serve as metaphors to explore themes of existence, relationships, and transformation. Each collaboration is inspired by a specific star of the Virgo constellation.

 Het Documentaire Paviljoen - IDFA Shaping Bonds, Amsterdam / 4bid gallery, Amsterdam. 
	

	
	&#38;nbsp; &#38;nbsp; → Team

&#38;nbsp; &#38;nbsp; Tatiana Rosa - Concept, Direction, Sound &#38;nbsp; &#38;nbsp; composition, Creative Technology design&#38;nbsp; &#38;nbsp; Thomas Brand - Video&#38;nbsp; &#38;nbsp; André Lourenço - Text, Dramaturgy&#38;nbsp; &#38;nbsp; Giulia Principe - VR environment&#38;nbsp; &#38;nbsp; Pedro Matias - Sculpture&#38;nbsp; &#38;nbsp; Mathilde Renault - Spatial Design&#38;nbsp; &#38;nbsp; Ilse Jobse - Sign poem, Performance&#38;nbsp; &#38;nbsp; Angelo Custódio - Voice, Performance



	
	
	

	
	
	
&#60;img width="2821" height="1319" width_o="2821" height_o="1319" data-src="https://freight.cargo.site/t/original/i/048508cf73e5a6191aae8fedfdfce8461ccc13643123fed618d52f7f7e9ac407/5.jpg" data-mid="249541653" border="0"  src="https://freight.cargo.site/w/1000/i/048508cf73e5a6191aae8fedfdfce8461ccc13643123fed618d52f7f7e9ac407/5.jpg" /&#62;





	
2022 /
	The Butterfly &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Effect

	
		
		
	
	
		
			
				
					
						

					
				
			
		
	



					
				
			
		
	












The work aspires to a future in which Humanity will be able to experience any kind of territory regardless of the spectrum of perception, time, and geography, by enabling bystanders to physically engage with remote colonies.
The Butterfly Effect is a multi-sensory installation in which visitors meet a former shooting star. By means of various processes of data translation, the 4.5 billion years old meteorite reveals its hidden genetics through light, sound, smell and video while presenting different stages of its path from Space to Earth.





Winner of the Film Fund DocLab Interactive Grant, Nominee Idfa DocLab Immersive Non-Fiction Competition. Supported by AFK, Netherlands FilmFund, The Stimuleringsfonds Creative Industry, ILEWG EuroMoonMars &#38;amp; Art Moon Mars.&#38;nbsp;

	
		
		
	
	
		
			
				
					


				
			
		
	


	


	
	
	&#38;nbsp; &#38;nbsp; → Team

&#38;nbsp; &#38;nbsp; Mathilde Renault - Producer, artist&#38;nbsp; &#38;nbsp; 
Bernard Foing - Advisor senior scientist
&#38;nbsp; &#38;nbsp; European Space
Research &#38;amp;
Technology&#38;nbsp; &#38;nbsp; 
Centre (ESA)&#38;nbsp; &#38;nbsp; Sebastiaan de Vet - Advisor planetary&#38;nbsp; &#38;nbsp; 
geomorphologist TU
Delft Aerospace&#38;nbsp; &#38;nbsp; 
engineering &#38;nbsp; &#38;nbsp;&#38;nbsp;Frank Bloem - Perfumer
&#38;nbsp; &#38;nbsp; Lefki Mevissen - Programmer&#38;nbsp; &#38;nbsp; Paula Garcia Sans - 3D modelist&#38;nbsp; &#38;nbsp; Céline Jouandet - Type designer
&#38;nbsp; &#38;nbsp; Tatiana Rosa - Sound designer
&#38;nbsp; &#38;nbsp; Daniel Nunes - Web developer
&#38;nbsp; &#38;nbsp; Rita Fiahlo - UX-UI designer&#38;nbsp; &#38;nbsp; → IDFA DocLab&#38;nbsp; &#38;nbsp; &#38;nbsp;→ MIT_Docubase



	


	
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2021 /
	
	The Voluntary&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Psychopomp

After the sudden loss of her father, Mayra Sergio attempted to find ways to process grief. Looking for strategies, she took a DNA test. The DNA of one individual can tell vastly about the history of colonization, immigration, and cultural exchanges. While visiting key ancestral locations she explored local grieving rituals. Combining scientific perspectives on grief and Brazilian genetic studies with the raw intimacy of first-person experiences, The Voluntary Psychopomp explores how ancient and modern practices help us process loss and remain connected across time and culture. 
The three-channel film portrays a contemporary psychopomp as a craftswoman: a guide navigating both the scientific and the spiritual, the personal and the collective, in an attempt to make sense of loss.
Supported by the Mondriaan Fonds, Amsterdam Fonds voor de Kunst.



	&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  → Team
&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  Mayra Sergio - Producer, co-director&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Mathilde Renault - Co-director, &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;cinematographer, editor&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Pierre-Clément Nivière - Camera operator, &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
colour grader &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Andrés García Vidal -&#38;nbsp; Sound&#38;nbsp;designer&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Niels Hendricks - Special effect &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;supervisor
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;Marlieke Burghouts - Choreographer&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Michelle Son - Subtitles, Voice over&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Laura Dubourjal - Voiceover
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Daan Simons - Charpenter advisor
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Arthur Guilleminot - Costume designer
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; → Arti et Amiticea




	


	
	
	

	&#60;img width="5472" height="3196" width_o="5472" height_o="3196" data-src="https://freight.cargo.site/t/original/i/f5742cd57aef21ac0d8a8f18342844de1bc2f70b824e348be014d64177bcd440/Arti-et-Amicitiae-Doing-the-Stuff-with-the-Thing-opening-73-high-res.jpg" data-mid="128891203" border="0"  src="https://freight.cargo.site/w/1000/i/f5742cd57aef21ac0d8a8f18342844de1bc2f70b824e348be014d64177bcd440/Arti-et-Amicitiae-Doing-the-Stuff-with-the-Thing-opening-73-high-res.jpg" /&#62;

	
	
	

	
	
	

	



	2020 /
	They said, 
 &#38;nbsp;&#38;nbsp; I was never&#38;nbsp;an island

Let it be understood that enormous cotton-candy clouds don’t come along every day of the week, and when you have an opportunity to get up close to one, you ought to go on and get up close, because you’re only here once, as far as you or any one of us may ever know for certain, and you just can’t tell when you’ll have another chance to engage in this way, on this level, with this kind of thing. So, look around, inhale all the way, expand and contract rhythmically until you become a soft, sweaty rock, insides out, flirting your face off in the flowering colored lights of the abstract documentary that is the mutual rubbing of every virtual opposite redisassembled in the psychedelic combustion of vital transforomance. _ Angie Keefer

	&#38;nbsp; &#38;nbsp;&#38;nbsp;
&#38;nbsp; &#38;nbsp;→ Team&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
 Pedro Matias - Producer, Visual
artist
&#38;nbsp; &#38;nbsp; Mathilde Renault - Filmmaker, Editor
&#38;nbsp; &#38;nbsp; Tatiana Rosa - Sound designer



	
	
	

	
	
	
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		<title>Info</title>
				
		<link>https://mathilde-renault.com/Info</link>

		<pubDate>Thu, 30 Dec 2021 21:00:27 +0000</pubDate>

		<dc:creator>Mathilde Renault</dc:creator>

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		<description>
	Somewhere on the horizon there is an emerging figure of the Planetary, repopulating intellectual narratives around the world: from postcolonial and decolonial thinking, through media theory and Western philosophy to design thinking and environmental studies.― Lukáš Likavčan

	
	

Scope of work :

	

	
Mathilde Renault is a mixed-media artist working with immersive installations. Her research based practice speculates upon sensory experiences derived from scientific data, natural phenomena and technological developments. Her intimate scenarios intertwine fictional and non-fictional realities in favor of ecological narratives.
For questions 
&#38;amp; collaborations :mtld.renault@gmail.com


	
	
Art Production Art DirectionArtistic Research Immersive installation Multichannel videoFilm Editing

→ Instagram→&#38;nbsp;Newsletter→ Portfolio on
request

	
	

Exhibitions :
2025 - 










Het Documentaire Pavijloen, IDFA, Amsterdam.
2025 - Looiersgracht 60, Amsterdam&#38;nbsp;&#124; Commissioned by Marie-Ilse&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;
Bourlanges.



2024 - A Tale of a Tub, Rotterdam &#124; Commissionned by Liza Prins.2024 - Zone2Source, Amsterdam &#124; Commissioned by Liza Prins.2024 - Espace Mercerie, Lausanne &#124; Commissioned by Marie-Ilse &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Bourlanges.2024 - 4bid Gallery, Amsterdam &#124; Collaboration with Tatiana Rosa.2024 - Sonic Acts, W139, Amsterdam &#124; Collaboration with Pedro Matias.
2023 - 

	
		
		
	
	
		
			
				
					Galerie Fuer Gegenwartskunst, Regionale organization, E-werk &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Freiburg&#38;nbsp;&#124; Collaboration with Pedro Matias.

				
			
		
	
2023 - Fiber Festival (lecture), Oedipus Brewery, Amsterdam.2023 - Looiersgracht 60 &#124; Commissioned by Marie-Ilse Bourlanges.
2022 - Artis Planetarium, Amsterdam.
2022 - IDFA DocLab, de Brakke Grond, Amsterdam.
2022 / 2021 - Tetem, Enschede (solo) &#124; Co-production with Ali Eslami.2021 - Arti et Amicitiae, Amsterdam &#124; Co-production with Mayra Sergio.2021 - GOGBOT Festival, Museumnacht, Enschede &#124; Co-production with Ali &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Eslami.2021 - Plan B Art Festival, Borganes, Iceland.2021 - Athens Digital Arts Festival &#124; Hybrid Edition.2020 - IDFA Tolhuistuin, Amsterdam &#124; Co-production with Ali
Eslami. 2020 - Het Hem, Amsterdam &#124; Commissioned by Pedro Matias.2018 - Beurs van Berlage, Amsterdam &#124; Commissioned by Marie-Ilse &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Bourlanges &#38;amp; Elena Khurtova.2017 - Gaggenau, London &#124; Commissioned by Mayra Sergio.2017 - Talente, Messe München, Munich &#124; Commissioned by Mayra Sergio.2017 - Stedelijk Museum, Amsterdam.2016 - Rietveld Pavilion project space, Amsterdam.2015 - Eye Museum, Amsterdam &#124; Collaboration with Marilou Stive.2014 - De Service Garage, Amsterdam.
	




&#38;nbsp; &#38;nbsp; Fonds :&#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Amsterdams Fonds voor de Kunst Development&#38;nbsp; &#38;nbsp; &#38;nbsp;Mondriaan Fonds Voucher
&#38;nbsp; &#38;nbsp; &#38;nbsp;Mondriaan Fonds Project
&#38;nbsp; &#38;nbsp; &#38;nbsp;Winner Filmfund DocLab Interactive Grant 2022&#38;nbsp; &#38;nbsp; &#38;nbsp;Amsterdams Fonds voor de Kunst&#38;nbsp; &#38;nbsp; &#38;nbsp;MIT R&#38;amp;D program&#38;nbsp; &#38;nbsp; &#38;nbsp;Stimuleringsfonds Digital Culture&#38;nbsp; &#38;nbsp; &#38;nbsp;ESA ESTEC Nordwijk (sponsorship)&#38;nbsp; &#38;nbsp; &#38;nbsp;TU-Delft Aerospace Engineering Dpt (sponsorship)&#38;nbsp; &#38;nbsp; &#38;nbsp;Stimuleringsfonds Digital Culture&#38;nbsp; &#38;nbsp; &#38;nbsp;Stimuleringsfonds Immerse/Interact&#38;nbsp; &#38;nbsp; &#38;nbsp;Nederlands Filmfonds&#38;nbsp; &#38;nbsp; &#38;nbsp;Amsterdam Fonds voor de Kunst&#38;nbsp; &#38;nbsp; &#38;nbsp;Fonds Kwadraat
&#38;nbsp; &#38;nbsp; &#38;nbsp;Scentair (sponsorship)

&#38;nbsp; &#38;nbsp; Achievements :&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Nominee IDFA DocLab 2022 - Immersive Non-Fiction.
&#38;nbsp; &#38;nbsp; &#38;nbsp;Nominee Dutch Design Award - data &#38;amp; interaction 2021.&#38;nbsp; &#38;nbsp; &#38;nbsp;Nominee IDFA DocLab - Immersive Non-Fiction 2020.

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